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Composites 101
The purpose of this link is to educate the reader
on composites, and why they are a compelling alternative to wood.
Composites work very well with wood, or can replace wood if needed.
The word “composite” means two or more materials
combined to form a composite material. Fiber reinforced materials,
commonly referred to as composites, have been around for centuries.
Early settlers found that by combining straw with mud, the composite was
much stronger. Highways and bridges are composite because of the steel
rebar embedded in the concrete. In today’s modern age, light weight
composites in the form of fiber reinforced resins have become the
standard in sporting goods and aerospace applications.
Modern composite materials use high strength fibers
made from a variety of materials such as fiberglass, carbon, aramid,
boron, and others. The most popular is carbon fiber, due to its high
stiffness, high strength, and light weight. Carbon fibers may be
manufactured from polyacrylonitrile (PAN), pitch, or rayon precursor
materials by high-temperature (2000 to 35000 F) carbonization or
graphitization processes, hence the name “graphite.” |
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Carbon fiber is useless without a resin binder.
Typically, carbon fibers are coated with an epoxy resin which surrounds
the fibers and holds them in place. This material is known as a prepreg,
which stands for “pre-impregnated” meaning the fibers have been embedded
into the epoxy resin.
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Carbon fiber is useless without a resin binder.
Typically, carbon fibers are coated with an epoxy resin which surrounds
the fibers and holds them in place. This material is known as a prepreg,
which stands for “pre-impregnated” meaning the fibers have been embedded
into the epoxy resin.
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With prepreg
materials, the carbon fibers are unidirectional, meaning all the fibers
run in the same direction parallel to each other. This is the most
efficient arrangement of fibers. At FiberSonixx, we take the prepreg
sheets and cut them to different shapes and at different fiber angles to
create a “lay-up” specific to each individual product. For example, we
can change the stiffness of a neck by simply
changing the fiber angle. We can also combine different fibers to
create a hybrid composite, which has beneficial properties of both. In
addition, once the recipe is optimized the composite structure is
repeatable part after part, ensuring consistent high quality time after
time. |
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This is what an ideal composite structure looks
like up close, magnified 500X. The fibers should be distributed in the
resin matrix uniformly. This allows the matrix material to transfer the
load to the fibers in a uniform manner, resulting in an efficient
structure.
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Wood has a fiber structure very similar to a
composite material. Wood is comprised of a fibrous structure of
cellulose, which has a grain to it where the wood is stronger in one
direction than another. This is because the cellulose fibers are
parallel to each other, much in the same way unidirectional composites
are formed.
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Wood comes in a variety of species, all which have
different grain structures, densities, strengths, and beauty. Even the
same species of wood varies based on growing conditions. Furthermore,
within the same tree, the properties of wood can vary. Despite these
inconsistencies, wood is an excellent material for musical instruments,
but has limitations:
-wood is a natural material, meaning that variance
can occur from batch to batch. Trees grow at different rates depending
on weather, so every batch can be different.
-wood is affected by moisture, so factories must
treat the wood and store in temperature and moisture controlled
environments while manufacturing the product. Once the product is
shipped, it remains susceptible to these environmental conditions, which
can cause the wood to warp, crack, and change dimension.
-wood can expand and contract with temperature and
moisture, effecting the production of wood parts, and affecting the
sound of musical instruments. It is easy to see why wood instruments
require constant tuning.
-the fiber orientation of wood is limited to what
nature gives us. It is possible to create a laminate of different plies
of wood at different grain orientations (e.g. plywood) but the above
deficiencies still exist. |
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At FiberSonixx, we can design
in the exact tone desired by changing the stiffness and weight of the
component. Sound travels through a structure as a function of stiffness
and weight, so it is possible to “dial in” the optimal combination for
every application. With fiber reinforced composites, there are numerous
ways to adjust the tone of the product:
-type of fiber used: we can
use very stiff and light carbon fibers, or heavier and more flexible
glass fibers, or a combination of each to optimize the performance and
cost
-orientation of fiber
angles: a low angle like 0 degrees maximizes stiffness, where an
intermediate angle such as 45 degrees is much more flexible.
-stacking sequence: as
different plies are stacked up creating the layup, the sequence and
location of each fiber type can affect the stiffness and tone.
-different resin systems: we
can use a strong resin such as epoxy, which will produce good attack and
sustain, or use a softer resin like a thermoplastic, which will produce
a warmer tone.
The world of composites
offers unlimited options to optimize the performance of a musical
instrument. They can be used alone or in combination with wood, to take
advantage of the best parts of both.
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